DOODLE TONGUING IN A JAZZ CONTEXT
In the previous articles in this series, I have talked about the fundamental of doodle tonguing, basic and advanced exercises. Doodle tongue is the perfect solution for all jazz trombone players who want to be able to play fast and precise legato lines.
This time I want to share some patterns and exercises that I have found to be very useful. This is stuff that I use a lot when I play improvised jazz solos. Let´s get started!
MIXING TONGUING TECHNIQUES
Doodling is great, but in real life, you probably end up mixing both doodle tongue, single tongue and natural legato with great results. In this bebop example, I have noted it the way I probably would play it. That doesn´t mean that there is only one solution, try it out and find out what is most comfortable for you. Basically, it is all about comfort, and making things as easy as possible to play for you.
Pentatonic scales are very useful in a improvised jazz solo. They are very playable on the trombone in most keys, and they sound great over many chords. Try playing a E minor pentatonic scale over a Fmajor7 chord. Here you get the major 7, 9th, 3rd, #11 and 6th of the Fmajor7 chord, served ias a well known pentatonic scale. Or try the E minor pentatonic scale over a Db7#9 chord (or a Db7altered chord). This time, the same pattern consists of the #9, #11, b13, 7th and b9. That is a lot of juicy notes to get out of a simple pentatonic scale! I suggest that you work on all the twelve pentatonic scales, playing them in different patterns. This is a real good doodle tongue workout at the same time! Try hitting different chords on the piano with the sustain pedal, and play a suitable pentatonic scale on the horn on top of it.
Gbmajor7, Dbmajor7 or D7alt on the piano – Fm pentatonic scale on the horn
Bbmajor7, Fmajor7 or Gb7alt on the piano – Am pentatonic scale on the horn
and so on…
You need to be very familiar with all the major scales on the instrument. Using them to work on doodle tonguing is a good idea. The major scale is extremely useful when you are a jazz improviser. There are 4 trillion chords where it is an obviuos choice in one of its modes: major, major7, 13, minor7, minor6, minor9 etc.
This pattern is one I use a lot, both for doodling and to make sure all the scales in all the modes are up to date. Full version here
The mahjor scales are fundamental for a lot of improvised jazz solos, but they are also a bit plain, and without spicing things up a bit, it can be a bit boring with too much major scales. The altered scale has this little edge to it, that can help you put some colour to your solo. The same altered scale can be used in many different chords with great result. Here are some examples, based on a C altered scale:
Db-7, -9 (it works great, even if there are some “wrong” notes”
To turn the altered scales into a killer doodle exercise, I suggest that you try this pattern. This way you will play all twelve keys, starting on every note in the scale in all keys.
PS. Remember to sign up for the newsletter and get a free Jazz Etude! Find the sign up form at in the right column of the top of the page.