Did you miss part 1 in this series? Read more here: Flexibility on trombone and mouthpiece – Part 1.
In this second part with exercises for both trombone and mouthpiece, the focus is on octaves and a mix of staccato and legato playing. The idea is to work on mouthpiece and trombone simultaneously to make sure that you use a similar embouchure. Beware of the pitch on the mouthpiece, especially when playing staccato phrases.
When a task is repeated over time, the muscle memory will be better and better at remembering how to do it, eventually allowing it to be performed without very much effort. This is important when playing on the mouthpiece since there is no tubing to “force” the lips to vibrate with the correct speed. You should combine this with using your ears to be able to hear the next pitch, before you play it.
By practicing the switch from mouthpiece to trombone, you will improve instrument control and your ability to hit the right pitch on the trombone.
The trick with playing on mouthpiece alone, is also to use the muscles at the side of the mouth where the lips meet, without creating tensions elsewhere in your body, disturbing the free air flow.
You will find this exercise and many others in the book Flexibility for Trombone
– 38 pages in print friendly pdf format.
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