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Using major 7 and major 7#5 patterns in jazz standards when improvising
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Trigger that jazz
Dig in and play this jazz blues etude in all keys! The focus is on playing phrases with 6ths...
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8-tone scales major triads a tritone apart PART 2
This is the second part in the series of triads a tritone apart for dominant 7 chords using the 8-tone scale.
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8-tone scales major triads a tritone apart PART 1
Here I want you to explore the relationship between two triads a tritone apart, for example, A and Eb. They work great together, especially when used in combination with a dominant chord.
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Mike Stern lick in all keys
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Adding the VI dominant (II-V-I progressions)
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Eight-tone scale triad patterns in G
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Eight-tone scale triad patterns in Ab
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Eight-tone scale triad patterns in A
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Patterns without key
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Major 7 and major 7#5 arpeggios on the trombone
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Eight-tone scale patterns
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Altered scale jazz licks
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Altered scale patterns
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Altered scale basic patterns in all keys
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Four bars II-V-I phrases
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Ear training with II-V-I progressions
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II-V-I patterns with chromatic elements
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Basic arpeggios and 2-bar patterns
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II-V-I patterns using the bebop scale
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Basic II-V-I patterns using the major scale
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II-V-I Patterns overview
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Major tonic basic jazz patterns
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