10 Tips For What To Buzz While Driving
Do you have a car? Do you drive? Do you play trombone? Do you have a spare mouthpiece?
If you can answer YES to these relevant and life changing questions, please continue reading. If not, go practice or buy a car.
Since I am a proud trombone, spare mouthpiece and car owner, I have, as many wise trombone players before me, placed a mouthpiece in my car. As you probably figured out already, mouthpiece in car enable you to practise while driving. I give you my 10 best tips for what to practise while driving, but first a few words about road safety:
- Do not drink and drive and buzz.
- Do not break speed limits while buzzing.
- Do not break speed limits because of buzzing.
- Avoid hitting living objects while buzzing.
- Keep mouthpiece inside car at all speeds.
- Place mouthpiece in glove department before a car crash.
With these safety issues in place, now scroll down to the list:
The 10 car buzz tips
- Long notes. This will make even the shortest ride feel long. Start at a low/mid range note and work your way both up and down using the whole note scale or a chromatic scale.
- Radio jamming. Turn on the radio and jam with the music. Try to play the root of the chords, a counter melody or spit some hip pentatonic licks.
- Lip buzzing vs. mouthpiece buzzing. I have actually written a whole article on this topic. Buzzing without mouthpiece is a very car friendly activity. You might consider investing in internal windscreen wipers.
- Flexibility on mouthpiece. Try playing your preferred flexibility exercises on mouthpiece only. Focus on pitch! When you master this on the mouthpiece, you will be way more confident on your horn.
- Legato vs. staccato. Try playing a phrase legato, and repeat it with short notes. It takes both precision, a stable embouchure and good ears to hit the right pitch when playing short notes.
- Perfect attacks. Pick a note and try to play as many of them in a row as possible with perfect attack. Start over every time the attack is not 100% perfect. When you get to 10 or 30 (or 500) perfect attacks, pick a new note. Switch between single tongue, double tongue and doodle. Go slow!
- Jazz buzz. Buzz the head of a few jazz standards, and make sure to keep them in time. Try to make them sound just as good as if you were on stage with a top notch jazz group.
- Impro-buzzing. Pick a jazz tune you are familiar with, and start soloing. Keep it simple, and try to be aware of what notes you are playing. Being able to play key notes in a chord (typically 3rd and 7th) on just the mouthpiece is a great skill to master!
- Triad adventures. Practice various triads; major, minor, diminished and augmented. Switch between starting each triad on the root, the third and the fifth. Or play as many different triads as possible from a given note. If you for instans choose a C, you can play the following triads (up or down): C major, C minor, C diminished, C augmented, Ab major, F major, A minor and F minor.
- Artistic buzzing. Try to buzz the scenery you drive by. How does a calm forrest lake sound compared to that ice cream factory on the left or the traffic jam ahead? Can you buzz the highway billboards or the cars overtaking you?
Unnescesary bonus information
I know by fact that keeping a visible mouthpiece in your car is a safe way to storage it. A few years ago, a fellow trombone player had a break in in his car while we were at a gig. Smashed window, millions of glass fragments inside the car but the mouthpiece was still there. Consensus: with more mouthpieces in the car, it probably had not been broken into in the first place. Drive home was cold. I guess this somehow compares to the story of what happened to the accordion player who forgot to lock his car overnight in a shady neighbourhood with an accordion in it… 🙂
See you at the buzz stop